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Dune Soundtrack.

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Her work has also appeared in places like Certified Forgotten and Blossom Mag, as well as on podcasts like Casterly Talk, and her own show, Does It Get the Pass?, where she dissects the history and common tropes of the romantic comedy with her co-host and fellow writer, Rebecca Radillo. The film is adapted from American author Frank Herbert’s much-loved, 1965 sci-fi novel of the same name. Motamayor, Rafael (September 3, 2021). " Dune Is An Epic Sci-fi Masterpiece". Inverse. Archived from the original on September 11, 2021 . Retrieved October 18, 2021. a b Barfield, Charles (July 16, 2019). "Hans Zimmer Explains Why He Chose 'Dune' Over Christopher Nolan's Latest & Says He Never Saw The David Lynch 1984 Film". The Playlist. Archived from the original on July 17, 2019 . Retrieved August 30, 2019.

During the IMAX exclusive event on July 21, we witnessed a candid conversation between director and composer. Besides their great respect for each other and mutual love of Dune, fascinating insights were shared about their approach to creating the music. The story of the movie takes place tens of thousands years into our future, across a sprawling galactic civilization. Why would there be the same orchestral sounds as today? To do justice to this extraordinary setting, Zimmer actually invented new instruments! a b Armstrong, Vanessa (September 18, 2021). "We Saw 35 Minutes of Dune Goodness in IMAX and It Looks Incredible". /Film. Archived from the original on August 28, 2021 . Retrieved October 3, 2021. Desowitz, Bill (October 20, 2021). " 'Dune': How Composer Hans Zimmer Invented a Retro-Future Musical Sound for the Arrakis Desert Planet". Indie Wire. Archived from the original on October 30, 2021 . Retrieved October 30, 2021. He continued to write music even when the movie was finished! He was still inspired and went on writing.Both concurred that power of the human voice would persist in any society. Besides the alien sounds, the preview offered an impression of the ethereal, haunting female voices. a b Krol, Charlotte (September 17, 2020). " 'Dune': Hans Zimmer supervised 32-person choir over FaceTime for Pink Floyd 'Eclipse' cover". NME. Archived from the original on September 20, 2020 . Retrieved September 18, 2021. a b King, Darryn (October 22, 2021). "How Hans Zimmer Conjured the Otherworldly Sounds of 'Dune' ". The New York Times. Archived from the original on October 22, 2021 . Retrieved October 27, 2021. Hans Zimmer to Return for Denis Villeneuve's 'Dune: Part Two' ". Film Music Reporter. October 26, 2021. Archived from the original on October 26, 2021 . Retrieved October 26, 2021. Hans Zimmer to score Denis Villeneuve's Dune". Consequence of Sound. March 18, 2019. Archived from the original on September 18, 2021 . Retrieved September 18, 2021.

Lussier, Germain (August 12, 2021). "Dune's Making of Book Is So Massive, Hans Zimmer Wrote It a Score". io9. Archived from the original on August 12, 2021 . Retrieved September 18, 2021.

Lattanzio, Ryan (September 18, 2021). " Dune Is One of Hans Zimmer's Most Ambitious Scores, and It's Now Streaming: Listen Here". IndieWire. Archived from the original on September 21, 2021 . Retrieved September 19, 2021. Zimmer and Villeneuve both "agreed that the music would need to have a spirituality to it...a sanctified quality...that would elevate the soul and have the effect that only sacred music can". [4] Zimmer approached the score's composition with a "fresh" perspective, "just from the book", having never seen the 1984 film adaptation by David Lynch. [5] He built around the concept of Dune being a different civilization, and spent "months and months creating new instruments" to accompany that feeling, "defining, creating, and seeking new sounds, pushing the envelope". The composer augmented human voices "to sound eerie and other-worldly" for the score, [10] and based it on mainly female voices due to the shared sentiment between himself and Villeneuve that the "power of the human voice" remains constant in any civilization, and that "the female characters in the film drive the story". [4] Copyist [Digital Instrument Preparation Assistant] – Alfredo Pasquel, Jacob Moreno, Jeremy Katz, Michael Gloria, Soya Soo

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