Posted 20 hours ago

Panasonic LUMIX G II Lens, 20MM, F1.7 ASPH, MIRRORLESS Micro Four Thirds, H-H020AS (USA Silver)

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Images taken at f/1.7 are usable, but I think images taken at f/2 have better contrast and sharpness. It's a small lens and this helps to keep your micro 4/3 camera (and lens set) more 'micro'. Macro performance is nothing to write home about here: just 0.13x magnification, with a minimum close-focusing distance of 20cm (about 8 inches). When combing all the programs together you get much of the functionality of the substantially more expensive Final Cut Pro. BOTTOM LINE. With this little Panasonic 20 1.7 lens you have a high quality lens THAT WILL NOT BREAK THE BANK. You can do low light, shallow depth of field, and get great results. I say this as a hobbyist, not a pro. For 90% of what I shoot if I had to choose between the E-P2 and 20 1.7, D300s or Canon 7D then it would be the E-P2. Throw in the Leica X1 and I would have to take the X1 as I feel the IQ of the X1 beats all of the mentioned DSLR’s and the E-P2/20 combo, and its even smaller and sleeker. But I think I am done with all of those big DSLR’s for good. I really have no need for 8FPS shooting or 999 focus points. The improved build quality should make the lens last longer, although unfortunately there has not been an improvement in focus speeds with both the old and new lens giving the same focus speeds in our testing. With the same excellent image quality, reasonable value for money, and compact size, this new model should be just as popu

According to DxOMark, this lens isn’t as sharp as its predecessor, and we sort of feel the same way. However, when stopped down to f4, you’ll reach the lens’s sweet spot that you’ll really appreciate. In full frame terms, you’ll hit the equivalent of around f8 and that means that you’ll have perfectly sharp images. There is really no need to stop down beyond this. Bokeh For portrait photography on Micro Four Thirds, really the first and last word is the Leica DG Nocticron 42.5mm f/1.2 ASPH Power OIS. It gives you the style and glamour of an 85mm f/1.2 portrait lens and pairs it with the lightweight handling of a 50mm prime. The ability to shoot with extremely shallow depths of field at the maximum aperture allows you to create images with dreamlike bokeh – achieving a quality that lenses with narrower apertures just cannot match.

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PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. In our review, we especially appreciated how the smaller size of this prime lens means it’s doesn’t dwarf or overbalance even the smaller mirrorless cameras. Also, the sheer value for money here is really quite impressive – getting an effective little telephoto prime for an MFT camera at this price really can’t be sniffed at, especially with that aforementioned generous maximum aperture. Pros If you really want sharper image quality, use a flash. Your images will instantly have the sharpness of a brand new camera and lens. It’s really that simple. It’s amazing what a well-metered image using a flash can do.

For the small pancake that it is, this lens is an excellent performer. Apart from the somewhat slow autofocus and the loose, moving front element, there's nothing I don't like about this lens. Images are sharp and crispy and they have good contrast. The autofocus is slowish but accurate. Optically, this lens is like Mary Poppins: Practically perfect in every way. It's razor-sharp wide open (sharpenss is almost always limited by focus accuracy and camera handling) and has nice, smooth bokeh. The 40 mm focal length is just about perfect for a day-to-day lens, especially indoors. It shows little to no signs of flare or glare (with an aftermarket hood). I've shot straight into lights 5+ stops past being blown out, and never observed a flare. Fundamentally, I love the lens because I never need to worry that the lens will let me down optically. You’ll also notice longitudinal chromatic aberration in photos, and this is more noticeable in photos taken at brighter apertures, such as f/1.7. While the lens has a fair degree of barrel distortion in its optical design (which is to be expected, as the M43 system prioritizes compact size), distortion is fully corrected for, digitally, in the camera's JPEGs and/or in your Raw converter. This means straight lines will look, well, straight (see the images above the flowers for an example). The lens also shows minimal vignetting wide open and any traces of vignetting are gone by F2.8.The focus isn't all that brisk, and it's not exactly silent. The focus-by-wire system (common to all mFT lenses) makes manual focus less pleasant than it might be.

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